Aase Texmon Rygh, Pirouette Nasjonalmuseet Collection


Aase Texmon Rygh, Sittende pike Nasjonalmuseet Collection

1. The Work of Juliana Sveinsdottir: Engaging Issues of Gender and Colonial Subjectivity. HLYNUR HELGASON. 2. The Symbolic Abstraction of Else Alfelt. KAREN KURCZYNSKI. 3. Women Pioneers of Abstraction in 1950s Norway: The Balancing Act of Aase Texmon Rygh, Inger Sitter, and Gudrun Kongelf. SIGRUN ASEBO.


Aase Texmon Rygh. Evighetens form » Vandreutstillinger Nasjonalmuseet for

The 2022 federal budget begins Oct. 1. West Valley's pot of money from the Department of Energy comes from the $322.2 million non-defense portion of cleanup funds. Defense-related cleanup, which.


OSL contemporary Aase Texmon Rygh

Aase Texmon Rygh (1925 - 2019) has dedicated her career to developing an abstract idiom, exploring in particular the properties of the Möbius strip and translating them to sculpture. Her series of Möbius sculptures is based on a geometric phenomenon discovered by the nineteenth-century German mathematician August Ferdinand Möbius: in.


OSL contemporary Aase Texmon Rygh

Aase Texmon Rygh Few artists can claim to have had a career with so defined and consistent a core as that of Aase Texmon Rygh. Her achievements spring from her focus on a specific set of issues concerning form, which she has explored throughout her practice - and with little concern for the opinions of either her critics or her peers.


Aase Texmon Rygh — AWARE

Stay up to date with Aase Texmon Rygh (Norwegian, 1925) . Discover works for sale, auction results, market data, news and exhibitions on MutualArt.


Aase Texmon Rygh, Stabile II Nasjonalmuseet Collection

Aase Texmon Rygh has created some of the purest abstract sculptures we have in Norway, which nevertheless have a distinctly personal touch. Her art represents an aesthetic that runs through much of what has proved to be sustained qualities in Scandinavian art in the postwar period. It is a modernism that is characterized by an acute.


Aase Texmon Rygh, Pirouette Nasjonalmuseet Collection

Aase Texmon Rygh Billedkunstner Born 13.04.1925, death 21.05.2019 Work info Creation date: 2013 Other titles: Møbius rund (NOR) Object type: Sculpture Materials and techniques: diabas Material: Stein Dimensions: Height: 66 cm Depth: 30 cm Width: 66 cm Weight: 168 kg Keywords: Visual art Classification: 532 - Bildende kunst Acquisition: Kjøpt 2014


OSL contemporary Aase Texmon Rygh Female Forms

Aase Texmon Rygh Billedkunstner Born 13.04.1925, death 21.05.2019 Work info Creation date: (1978) Other titles: Volta (NOR) Object type: Sculpture Materials and techniques: bronse Material: Bronse Dimensions: Depth: 19 cm Width: 43.5 cm Height: 40.5 cm Keywords: Visual art Classification: 532 - Bildende kunst Acquisition: Kjøpt 1985 Inventory no.:


Aase Texmon

After completing her training as a sculptor in 1949, Aase Texmon Rygh became one of the pioneers of abstract sculpture in Norway. She has dedicated her career to developing an abstract idiom, exploring in particular the properties of the Möbius strip and translating them to sculpture.


OSL contemporary Aase Texmon Rygh Female Forms

Aase Texmon Rygh (1925-2019) was one of Norwegian modernism's true pioneers. In the 1950's, she was considered controversial, but in the seventies, her status changed to that of a modernist Norwegian classic. She was the first Norwegian sculptor to exclusively work with abstractions.


Aase Texmon Rygh. Modernisme for alltid! Nasjonalmuseet

Aase Texmon Rygh, (April 13, 1925 - May 21, 2019) was a Norwegian sculptor working in the modernist style. Early life and education [ edit] Aase Texmon Rygh was born in Troms County, Norway. She studied at the Norwegian National Academy of Craft and Art Industry from 1944 until 1946.


Aase Texmon Rygh Store norske leksikon

Aase Texmon Rygh (born 1925) is often referred to as modernism's "Grand Old Lady" in Norwegian sculpture. At the age of 27, she was the first to introduce abstract sculpture to the Norwegian public.


Aase Texmon Rygh, Stabile IV, 2009 Nasjonalmuseet

Aase Texmon Rygh var en norsk billedhogger og en pioner innen moderne norsk skulptur. Hun har laget en rekke offentlige utsmykninger i Norge, og arbeidet innen et abstrakt formspråk som ofte var basert på matematiske prinsipper. Allerede i 1950-årene fant hun sin stil, og med sine forenklede former introduserte hun modernismen i norsk billedhuggerkunst, i en periode da naturalismen fortsatt.


OSL contemporary Aase Texmon Rygh

Aase Texmon Rygh 1925 — Troms, Norway | 2019 — Oslo, Norway Norwegian sculptor. Aase Texmon Rygh was a pioneer of sculptural abstraction in Norway. She was educated at the National College of Art and Design in Oslo from 1944 to 1946, and then at the Royal Danish Academy of Fine Arts in Copenhagen from 1948 to 1949. Aa.


Aase Texmon Rygh, Stor teakpike Nasjonalmuseet Samlingen

Aase Texmon Rygh (born 1925) is often referred to as modernism's "Grand Old Lady" in Norwegian sculpture. At the age of 27, she was the first to introduce abstract sculpture to the Norwegian public. The exhibition is centered around Texmon Rygh's main works: the so-called Moebius sculptures, also known as the eternity sculptures.


OSL contemporary Aase Texmon Rygh Female Forms

Aase Texmon Rygh, f.l925, har hatt en unik posisjon som norsk kvinnelig billedhugger i modernismens gjennombrudd. Hun arbeider i en abstrakt, nonfigurativ stil, og med forskjellige materialer. For sin lange innsats i kunstens tjeneste ble hun invitert til å holde en stor retrospektiv utstilling på Henie-Onstad Kunstsenter i l992.